Category Archives: Artists I Like

Memorable Quotes- Sting

Whenever creative people talk about their medium, whether it be writing, dance, painting, sculpture, ceramics, music, film, etc., they always speak for artists in other mediums. This is because creative concerns and methods are essentially universal to all artists, regardless of medium.

I read an interview with Sting recently in which he talked about his creative process. Substitute the word “photography” for “music”, and this thought is equally relevant:

“Music is like a sea without a horizon and without a reason for being. Making music is a wonderful adventure without borders – exactly like love. You never get to the bottom of the person you love. The closer you get, the more you understand about how little you know of them. That means that there is a lot of work yet to be done.”

Exactly.

Memorable Quotes- Jerry Uelsmann & Duane Michals

There are a many thoughtful photographers out there who speak eloquently about their work and photography in general, but few are as inspiring as Jerry Uelsmann and Duane Michals. (I could list more, like Kip Fulbeck, for instance, but will limit myself for now.)

Last month I attended the Society for Photographic Education’s national conference, where 82-year old Uelsmann was a featured speaker. Here are a few of the more memorable things he said:

“I asked an historian, “What IS history?”, and he answered, “History amounts to those things that you choose to remember.”

“The camera is a license to explore.”

“The viewer always completes the image.”

“Art is one of those areas where there is more than one right answer.”

“Once you think you know everything, the questioning stops.”

And perhaps my favorite: “I don’t want this presentation to be a snore-fest with yawn-sauce on the side.”

Michals, who is now 85, was equally entertaining and challenging when I heard him speak at the Cincinnati Art Museum in 2000. Here are some of his most memorable lines:

“Do not try to be perfect, please. Perfect is boring. Your humanity lies in your vulnerability.”

“Pay attention to your mind. You put crap in your mind, you get crap in your life. You put good things in your mind, you get good things in your life.”

“I think about thinking.”

“Don’t come crying to me because nothing happened. Nothing happened because you didn’t make it happen.”

“You have 2 choices in life: doing and bullshit. Don’t tell me what you are going to do. Show me what you have done.”

“Guess when you were born? You were born now.”

When golfer Arnold Palmer died in 2016, it was written of him, “People loved him because, in a world of sullen superstars, Palmer radiated joy and delight in the treasures of his life… He had a wonderful time being Arnold Palmer and squeezed every drop of juice from the experience.”
The same can be said about Uelsmann and Michals, both giants of 20th century photography.

Artists I Like- Hiroshi Sugimoto

I was fortunate to have been able to visit Amsterdam, Netherlands, recently, where I saw an unbelievable amount of art. But the first place I visited after arriving was FOAM, the city’s museum of contemporary photography. I discovered that three new shows had opened there only a few days before, and one of them was work by Hiroshi Sugimoto.

I have been familiar with Sugimoto’s work for a long time, but had never had the pleasure of seeing it in person. The experience left me literally speechless, and I know that I will never be able to put into words what it was like.

In summary, the show consisted of pictures from 5 different series that Sugimoto has created over the course of the past few decades. Each series was represented by 5-7 photographs, which was enough to give the viewer an idea of the concept of each. Each series was in its own room so that the viewer could take the work in without it competing with other pictures. Although the size of the prints varied, they were all relatively large. I would guess that the smallest was @ 3ft. by 4 ft. All were framed, covered in non-glare glass, were lit beautifully, and hung on medium-to-dark gray walls.

The effect was mesmerizing. Sugimoto is a technical master, something that is becoming rare in today’s photographic world. But his technical mastery is always in the service of the ideas he has, and these ideas include some of the most basic that photographers can ask (What is the nature of light? How can it be controlled- or not?) as well as some that go far beyond what a lens can record (What is the nature of time?) His approach to photography is spiritual in nature, which is underscored in this interview.

In each series, Sugimoto had me wondering if what I was looking at was real- but “real” in what sense of the word? It didn’t matter if what he photographed was a seascape, electric sparks, wax figures, or museum dioramas. I could look at his pictures for endless hours and always find something new in them, as they cause me to ask questions about what I am seeing. The beauty of it is that I come up with different answers each time.

Seeing his work was sublime, spiritual, mesmerizing. His work is about so much more that the actual objects being photographed. If you ever find yourself near a gallery or museum with his work in it, do not miss it.