Tag Archives: technical issues

The Thread in the River- Installing the Show

To say that I have been buried in the preparations for this show the past few months is to make a gross understatement. The pace has been non-stop, but it has all come together without any last-minute disasters, which is a miracle.

I went down to the Alice F. and Harris K. Weston Art Gallery today to help with the layout of the work as it is installed. Since virtually none of this work has ever been exhibited before, I am beyond nervous as to the impact it will have once it is all up.

Installing “The Thread in the River” exhibition at the Weston Art Gallery, Cincinnati, OH

The show consists of 6 different bodies of work. Will all of those series make sense when seen together in the same space? Does the order and presentation of the work help the viewer make sense of it? Is it a problem that 2 of the series are in color and 4 are in black & white? Or that two series are presented as videos and 4 consist of still images? Does anything need rethinking for future exhibitions? What’s missing that could make it stronger?

Initial installation of “The Wind Telephone” series at the Weston Art Gallery, Cincinnati, OH

Only about half of the work was up today, and none of the labels were done, so it was hard for me to answer those questions. I’m going back tomorrow to look things over again, and might get a better sense of it then.

Piezography Workshop for Black & White Printing

My current project, titled The Thread in the River, is a mix of photographic media: film, digital, and video. I am creating a number of series, some of which are going to be printed in black and white. My Tears of Stone: World War I Remembered project was printed with  Piezography software and inks back in the early ’00’s, so I knew that that is the method that I want to print this new b&w work with. But a lot has changed since then and I knew that I needed a total reboot. So I signed up for one of the New Piezography Workshops at Cone Editions Press in East Topsham, Vermont, and traveled there last month for it.

With participants from China, Japan, Canada and the US, it was a truly international experience. Throughout the workshop, Jon ConeWalker Blackwell, and Dana Hillesland each filled us in on different aspects of the process, including information about how to prepare image files, how the software works, printer setup and maintenance, and far, far more. We were able to print on a large assortment of papers using 5 different inksets. They did a lot of one-on-one work with each of us, as we all had come there with different needs and agendas.IMG_3408

In addition, I got to see Cathy Cone’s photographic work, which is gorgeous and evocative. At the end of the last day, we spent some time at the waterfall nearby, then walked back to share wine, beer, and stories. It was a beautiful summer day and a fitting end to a fantastic experience, surrounded by people for whom craft is important. For anyone who is serious about fine digital black & white printing, Piezography is the way to go.

Photograph by Cathy Cone

Photograph by Cathy Cone

Dayton Art Institute Artist’s Talk

Tomorrow (Thur., Sept. 17) I’ll be giving an artist’s talk about the “Tears of Stone” show currently on exhibit at the Dayton Art Institute. The show is up through Sunday, October 4.

Here’s a link with more information about the lecture, which includes a short video of me talking about one of the pieces in the show.

I’ve spent the past few days putting this talk together. In brief, it will include information about the research I did for the project, the technical aspects and challenges of shooting it, and I’ll be reading excerpts from my field notebooks about experiences I had while working on the project. I’m really thankful for the opportunity to do this- it’s been a while since I’ve made a presentation about this work, and it’s nice to get back to it.