BOOKS
This beautiful monograph uses pinhole and compound lens imagery to explore the commemoration of those who fell in World War I. From the introductory essay by Donovan Webster, the author of 'Aftermath: The Remnants of War': '...over a span of nearly two years, Jane Alden Stevens visited perhaps the 20th century's most haunted places: the European plains and hillsides where World War I's preponderance of battles were fought... The result is stunningly remarkable: personal yet universal, profoundly respectful but inherently pacifist... Stevens has managed to bring alive the spooky reverence of these battlegrounds.'
This book illustrates the collaborative process employed in the creation of a miniature roombox reproduction of the tent that Edward S. Curtis used when making cyanotype proof prints in the field in the late-19th and early-20th centuries.
The second edition of this title stresses the how and why of photographic education. It has been fully updated to include the online/hybrid classroom environment, collaborative learning, rubrics, and using digital technology, plus techniques for inspiring conversations and critiques.